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I dragged each of the video files and the audio file into the project window. The blank project window opens waiting for media to synchronize. After the very easy installation of the PluralEyes software, I opened the application. I copied the files from each of the devices to my computer (as always).
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I started and stopped each device separately. The audio recorder was set to 48kHz/24-bit stereo. I had not explicitly set the frame rate on the iPad AIR (I still haven’t determined whether or not it is adjustable), but it was shot at 24 fps. The video from the Sony camera was shot at 4K and 29.97 fps. It is very powerful and flexible, yet it is amazingly simple to use. Although I hadn’t heard the expression in awhile, I have to say that PluralEyes 4 is elegantly simple. I downloaded the trial of PluralEyes 4 to give it a try. I had a current project where I used my Sony 4K camera as a primary, my iPad AIR as a secondary, and my Zoom H4n for audio on the shoots. My friend and colleague (and Production Expert group founder), Russ Hughes, had told me about his experience with the new version of PluralEyes, he has previously reviewed an earlier version of PluralEyes for this blog.
EXPRTING SYNC AUDIO PLURALEYES 4 PRO
I have found that the built-in clip synchronization in Final Cut Pro X has generally met my needs. My typical workflow for the video that I produce is to record the video on either my Canon DSLR or my Sony video camera and record the audio to a separate field recorder. I remember seeing an early version of PluralEyes several years ago, and it impressed me as it was the first tool that I had seen that would allow easy synchronization of footage from multiple video cameras or separate audio and video recordings without time code. PluralEyes 4 from Red Giant is a really cool and powerful tool.